Kelly Meding Surveys the Old West Pangaea-style


By Kelly Meding

517dBviDsyLPangaea was my second opportunity working with the folks at Crazy 8 Press, and my first participation in a Kickstarter (and boy did it feel great to see both of those Tuckerizations go!). The opportunity came via the incomparable Bob Greenberger, and I was thrilled by the chance to work with Mike Friedman, whose books I’ve admired for a long time.

The concept of Pangaea intrigued me, as did the huge differences in the various states and land regions. And as I read through the story bible (several times), I kept coming back to the plains state of Promiza. I loved how it was described as a like “the American frontier.” The more I thought about it, the more I wanted to write about that location.

My pitch was basically an homage to the Old West and the “a stranger comes to town” trope, except to turn it on its head a little bit with a strong female lead. The people of Promiza are proud, independent, and they rally together in times of need—and Arista’s people need change.

They are farmers and harvesters and factory workers, living in a rough plains territory that is buffered by high winds and under constant threat of tornadoes and storms. Their towns had to reflect these harsh conditions, so their people must live low to the ground. With a nod to Tatooine, these cities are built mostly underground, with wide open patio areas for socializing, and low-crawling public transportation with wheels reminiscent of Army tanks.

I had great fun writing my tale of the Old West set on this intriguing new Supercontinent. Thanks for the opportunity.

Pangaea is now available in digital and print editions.

Michael A. Bustein Talks Writing The World Together

By Michael A. Burstein

517dBviDsyLWhen Michael Jan Friedman asked me if I would contribute a story to Pangaea, I was delighted. I have never been part of a shared world anthology before, and this seemed like a good opportunity to try my hand at it. I’ve also been a big fan of Michael’s for many years now, very much enjoying his Star Trek tie-in novels, his comic stories, and his original work.

Michael sent me a copy of the Pangaea “bible,” which is the document that describes what the shared world is like. I read through it, searching for a hook that would tie into my own interests.

I was particularly intrigued by his description of a land called Wymerin and chose to set my story there:

“These people are like the Amish in that they remain as isolated as they can from the rest of the world, adhering to what outsiders think are antiquated values. They embrace technology only to the extent that they must in order to compete, seeing machines as a necessary evil.”

As I wrote my story, I found it a difficult process. Michael helped me by advising me that I could make up my own details about the Wymerin society and culture. He would edit my story accordingly to make sure it fit into his general view of the world. Thus was my creativity freed, and I was able to tell my story.

I remember that Peter David told about the time he wrote a line in a Hulk comic establishing that the hero Doc Samson was Jewish. His editor called him up and asked him if this had been established before. Peter replied that they were establishing it now. To which the editor said, “We can do that?”

I had forgotten that Michael would be there with his net to catch me if I fell too far out of his vision for Pangaea. Which he did. I’d like to thank him for that, and for bringing me to Pangaea in the first place.

I also want to thank two former students of mine, Betsy Cole and Deborah Sacks, whose support of Pangaea was rewarded by my naming the characters in “The World Together” for them.

Pangaea is now available in digital and print editions.

One Continent … and the Hearts of Murder

517dBviDsyLWhen we at Crazy 8 Press decided to embark on Pangaea, the brainchild of our very own Michael Jan Friedman, I wasn’t sure which way I wanted to go with my contribution. The anthology is based on one big idea — what if there was just one super continent — and big ideas typically lead to big stories.

So I went in the opposite direction.

My tale, “The Kites of Alogornae”, is small. It is, for the most part, a two-character play, consisting of two men forced together by circumstance, crossing the great continent, with a particular mission in mind.

In theory these traveling companions are on the same side, but in reality … well … it’s fair to say that at least one of them, if not both, have murder in their hearts.

Will there be deaths in this tale? I won’t say. But I can tell you that my inspiration came from the thoughts of trekking a long way on foot, during the days of continental discourse, and the roles that two otherwise unknown men might play during this divide.

Pangaea is its own world, and in this world, relationships are forged whether the characters want them to be or not.

Let’s see how this one plays out.

Pangaea is now available in digital and print editions.

Dayton Ward & Kevin Dilmore are on “The Ardent” in Pangaea

 

By Dayton Ward and Kevin Dilmore

517dBviDsyLIt’s entirely possible that we did this all wrong.

When Mike Friedman first told us about the Pangaea concept, there were a myriad of things that could have grabbed our attention. Stories set within societies of humans that developed on a theoretical supercontinent never separated by geodynamic processes? Okay, we’re listening. Characters of humans descended from Neanderthal as well as Cro-Magnon ancestors who live contemporarily? Yep, still got us. Plot lines driven in a culture shaped by technology roughly equivalent to that on 1980s Earth?

Okay, we’re totally in.

Mike asked us to create our story as a link between his, which begins the anthology, and Peter David’s, which concludes it. Since the baton we needed to pass was a clue in a criminal investigation, we knew it had to be a buddy-cop story evoking our favorite such tales from the ’80s. Most especially, we took a new look at Alien Nation, the single-season TV series inspired by the feature film of the same name. The relationship between that show’s main characters, human police detective Matthew Sikes and his Tenctonese partner, George Francisco, provided more than a bit of inspiration for the “odd couple” pairing of our buddy cop characters. Our guys work together despite their disparate backgrounds, navigating the various culture clashes between Pangaea’s Sachi and Fojoa sects, and it’s this relationship that’s at the heart of our tale.

When it came time to tell our story, we might have deviated from the norm just a little bit. Rather than present our tale from a narrative perspective that spent time detailing the world of Aristaya for a reader from our world, we leapt right into a view through the eyes of Ames, a Sachi and veteran Homicide detec—er, Peacekeeper partnered with the only Fojoa Peacekeeper on the force. Ames’ views on his partner, his assignment and his world would read as his—not ours—with the goal of creating a story that might have been written by authors from Pangaea for readers from Pangaea, complete with the slang of the dark alleys of the district. We had fun telling our story; we hope you have fun reading it, too.

See you on the streets, pal.

Pangaea is now available in digital and print editions.

The Seeker and the Sword Returns to Print in November

CAIOC_VIDARThe Seekers and The Sword.
It’s the second book in the Vidar Saga trilogy that I wrote back in the eighties, a sequel to The Hammer and The Horn. And by Thanksgiving, it’ll be back in print.
I can’t tell you how many people have asked me about it. Not only here and at cons but in my dreams, people come up to me and want to know about The Seekers and The Sword. People like Patrick Stewart and Whitey Ford and Albert Einstein because, you know, they’re dreams, and even more to the point they’re MY dreams.
So please, be patient. Pretty soon you’ll have a chance to get The Seekers and The Sword, both in print and in DRM-free e-book formats. In the meantime, feast your eyes on this wonderful cover by Brazilian phenom Caio Cacau. If The Seekers and The Sword is half as good as this cover, it’ll be well worth the wait.

Pangaea: Jumping Out

517dBviDsyL“Write a Pangaea story . . . and, GO!”

That was pretty much all the direction Mike gave for the anthology. Which, sometimes, is a good thing, and sometimes makes it a little . . . tough. After all, Pangaea is HUGE! I mean, it’s the supercontinent, after all—the one and only landmass in the entire world, as big as all of our modern continents put together.

That’s a lot of space in which to find a story.

So what do you do when you’re presented with such a dizzying array of possibilities?

You narrow it down.

For me, that meant reading through the small Pangaea bible Mike had written up, giving a few basic details about the world, and looking for any details that jumped out at me.

Fortunately, there were a few:

  • Geothermal energy
  • The “coastal” states involved in a technological arms race over building hydroponics
  • The plains, with their rougher, looser structure and wilder, freer ways

I considered those elements again, separately and together. Volcanoes, hydroponics, scientists, arms races, the coastal states and the plains.

And then I had an image appear in my head of a mad scientist laughing maniacally from within a city—built inside a live volcano.

I had my story.

Mike liked the idea, fortunately. With one reservation. “This sounds awfully pulpy,” he told me. “I’m not sure it’s going to fit the tone of the rest of the book.”

“Tell you what,” I replied. “If you’re really worried about it, I can preface it with a ‘torn from the pages of Lurid Tales of Mad Science!’ sort of header, set it up as being a story told in a Pangaea pulp. How’s that?”

He thought that sounded fine, and I got to work. The story wrote itself, as is often the case when you get a good strong narrative voice going—In this case, all of four lines and Hank Land had taken form (“How do you steal a scientist? It’s not like you can just stuff ’em in a sack! And what would someone be doing with them? Mounting them on a board like so many butterflies? ‘Look, I just added a botanist to my collection!’?”) and I was just along for the ride.

By the time I was done and had turned in “Up in Smoke,” Mike had already received several of the other stories. And, after he’d had a chance to read them over, he told me “you know what? Don’t worry about that header. Your story’s going to fit in just fine.”

I’m glad it did. Because I really like thinking that, in this world of Pangaea, Hank Land isn’t just some character on a page—he’s real, and live, and ready to roll, eager to chase down some bad guys and stop some crimes.

Fortunately, with all that space on the supercontinent, I have the feeling he’ll find plenty more cases to keep him busy.

I just hope he lets me tag along on them as well.

Pangaea is now available in digital and print editions.

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