Love, Murder & Mayhem – Being Treated Unfairly in a Sci-Fi World

By Meriah Crawford

Brace yourself for some shocking news: life is unfair. You may have noticed that it’s the people who have life the easiest who tend to focus the most on life’s injustices. This is probably because those people are used to either being treated fairly as a matter of course, or being given unfair advantages. After a while, people like that come to accept injustice in their favor as their natural due.

The bad news is, those people can be ridiculously annoying whiners. The good news is, sometimes they post to social media about it, and we get to laugh at them:

Today, though, I don’t want to talk about that sort of dire injustice. Instead, I want to focus on the ways in which life is unjust and unfair to me, personally. For example:

  1. It is extremely unlikely that we will accomplish manned interstellar travel in my lifetime.
  2. It is essentially impossible, therefore, that I will ever serve on an interstellar starship.
  3. Though the technological challenges are fall smaller and more surmountable, and with a much shorter time frame, it’s still incredibly unlikely that I will travel to the moon or Mars, whether as a tourist or a colonist. (Though I feel I should note for any NASA officials reading this post that I am a fine gardener, and have a strong multi-year record of success at growing potatoes in the honestly rather sketchy soil in my backyard.)
  4. The chances of my participation in first contact with aliens is either less unlikely or vastly more unlikely than numbers 1 through 3 above, depending on unknown data. To wit: the proximity of aliens who have the capability of interstellar travel along with a fascination for backward, somewhat vicious societies. But regardless, it’s still quite unlikely. And this is a tragedy, because I would be awesome at first contact. I know, because I’ve spent a lot of time thinking about it. And it would be so damn cool.
  5. I also find it both deeply unjust and ironic (for reasons that will be obvious if you read my story) that reptilian aliens are so often the villains in sci-fi, because I like reptiles. I find it significantly less likely than most authors, it would seem, that lizardy aliens would aim to kill and, potentially, eat us. And yet…well, I suppose some of them would. And that would be unfair, if it happened to me. (Or you, really. Depending on your understanding of what is and isn’t fair.)

Anyway, I hope you’ll read my story, “Speedeth All”, which appears in the Love, Murder & Mayhem anthology from Crazy 8 Press, and is on sale now. If you think about it, it would be totally unfair to me if you didn’t.

Love, Murder & Mayhem is now available for sale both in print and ebook formats.

Meriah Lysistrata Crawford is an associate professor at Virginia Commonwealth University, as well as a private investigator, writer, and editor. She has published short stories in several genres, a novella, essays, a variety of scholarly work, two poems, and co-edited the anthology Trust and Treachery: Tales of Power and Intrigue. Meriah has an MFA from the University of Southern Maine’s Stonecoast MFA program, and a PhD from the Indiana University of Pennsylvania’s Literature and Criticism program. Her work as a PI, spanning over fourteen years, has included investigations of shootings, murders, burglary, insurance fraud, backgrounds, counterfeit merchandise, patent infringement, and missing persons.

Love, Murder & Mayhem – Can a Super-Villain Ever Make Good?

By Patrick Thomas

I always wondered why super- villains were so dumb, even when coming up with a plan to take over the world or at least the Tri-State area.  I love a good super-powered knock-down drag-out fight as much as the next guy, but why do the superheroes and super-villains always have to fight? Why is it superheroes always have to slug it out when they first meet? No talking, just fists and laser beams.

Super-villains have powers and sometimes they’re even cooler than the heroes. When you have the power of magnetism, super strength, speed, are invulnerability or have the power to control elements why waste your time robbing a bank? Isn’t there some other way they could use their powers to come up with money legitimately? Or even become incredibly rich?

In my story for the Crazy 8 Press Love, Murder & Mayhem anthology “As Time Goes By”, I explore this trope. My main character starts off as a super villain getting out of prison. He’s met by the hero put him there and instead of threatening him the hero actually encourages the villain to do something with his power to earn money without going outside of the law and maybe even help humanity. Thanks to the love and support of his wife he rises to the challenge. The guy is an old school super villain. He’s never killed, only robbed banks and jewelry exchanges and such. The truth is he’s not a bad guy, just someone who made some bad decisions and never thought through what he could really accomplish with his abilities.

So what happens when a bad guy who really wasn’t that bad reforms and makes the entire world a better place and his reward is having the life of the women he loves threatened? How does someone who is trying to be a good man deal with his world being torn down around him? Especially after he worked so hard to build it up just to prove to his wife that he was worthy of her love?

Tune in to Love, Murder & Mayhem to find out.

Love, Murder & Mayhem is now available for sale both in print and ebook formats.

Patrick Thomas is the award-winning author of the beloved Murphy’s Lore series and the darkly hilarious Dear Cthulhu advice empire which includes the collections What Would Cthulhu Do? Cthulhu Knows Best, Have A Dark Day, and Good Advice For Bad People. His more than 35 books include Exile & Entrance, a slew of urban fantasies that include By Darkness Cursed, Fairy With A Gun, Fairy Rides The Lightning, Dead To Rites, Rites of Passage, Lore & Dysorder; the steampunk themed As The Gears Turn and the science-fantasy space adventures Constellation Prize and Startenders. He co-writes the Mystic Investigators paranormal mystery series and The Assassins’ Ball, a traditional mystery, co-authored with John L. French. A number of his books were part of the props department of the CSI television show and one was even thrown at a suspect. “His Soul For Hire story Act of Contrition”, included in Greatest Hits, has been made into a short film by Top Men Productions. Drop by www.patthomas.net to learn more.

Love, Murder & Mayhem – A Note on “The Note on the Blue Screen”

By Mary Fan

When Russ first invited me to participate in the Love, Murder & Mayhem anthology for Crazy 8 Press, I was in the middle of publishing a Sherlock Holmes retelling, The Adventure of the Silicon Beeches, that takes place in the space opera future and reimagines both Sherlock and Watson as young women.

I could get on my feminist soapbox as to why I gender-swapped both roles, but I’ll save that speech for a Tweetstorm (or not… diatribes are so time-consuming, and I have fiction to write…)

Anyway, I’d written the Adventure of the Silicon Beeches as a standalone novella, but had so much fun that I decided I’d follow the Sherlockian tradition of writing multiple little mysteries starring the crime-solving duo. So when I first saw the prompt for Love, Murder & Mayhem, my mind immediately went, “Perfect! I’ll have Sherlock and Watson solve a murder mystery!”

The obvious thing to do would have been to introduce a deadly crime of passion and have the girls chase down the brokenhearted culprit. But that sounded cliché before I even started hammering out a plot. So I considered how far I could stretch the prompt and wrote to Russ asking, “Hey, does it have to be romantic love?”

Every retelling of Sherlock Holmes requires a close bond between the detective and his lifelong best friend, one that definitely qualifies as love whether it’s portrayed as platonic (most traditional retellings), romantic (the subject of a million slash fics), or somewhere in between.

In my reimagining, Watson is a young engineer named Chevonne who rescued Sherlock, a sentient AI modeled after a human woman who was discarded by her creators, from a scrap pile. I chose to keep their relationship platonic—as best friends and sisters-in-crime (or crime-solving)—though close to an almost co-dependent extent.

I was also determined not to have Chevonne be a passive narrator or a sidekick. And then it hit me—what if I turned tradition on its head and had Watson solve the mystery for a change? And to get Sherlock out of the way but keep her in the picture—what if she were the victim?

There’s even precedent of sorts in the Sherlockian canon—His Last Bow throws the detective off a cliff to his apparent death. In my story, “The Note on the Blue Screen”, what if Watson had to figure out what had happened and finish what Sherlock had started? What if getting involved put Watson in the bad guy’s crosshairs?

Boom: Love, Murder & Mayhem.

Love, Murder & Mayhem is now available for sale both in print and ebook formats.

Mary Fan is the author of several sci-fi/fantasy books about intrepid heroines, most recently Starswept, a YA sci-fi romance about classical music and telepathic aliens. She is also the author of the Jane Colt space opera/cyberpunk trilogy, the Firedragon YA dystopia/fantasy novellas, and the Fated Stars YA high fantasy novellas. In addition, she is the co-editor of the Brave New Girls sci-fi anthologies about girls in science and engineering, proceeds of which are donated to the Society of Women Engineers scholarship fund. Chevonne and Sherlock also appear in Brave New Girls: Stories of Girls Who Science and Scene and the standalone novella The Adventure of the Silicon Beeches.

Find Mary online at www.MaryFan.com.

Love, Murder & Mayhem – It’s Always Good to Duck

 

When Russ had the idea for our new Crazy 8 Press anthology, of course I was in. Who wouldn’t want to write a science fiction story about Love, Murder & Mayhem? The only problem was, I had to figure out what exactly I was going to write!

The most obvious answer was to do a straight-up noir, a dark, moody murder mystery with a heavy romantic element. But I knew plenty of others would have that genre covered. I also thought about writing a more modern mystery, more action-adventure with a touch of thriller, but again I knew there would be several of those. “What can I offer this anthology that nobody else can?” I wondered. And the reply was: DuckBob!

That made perfect sense. DuckBob Spinowitz is, after all, my favorite character to write (three novels, two short stories, and counting). He’s a ton of fun, and he is pretty much Mayhem personified, so I had that angle covered already. Plus DuckBob is very happily involved with the brilliant and lovely Mary, which took care of the Love aspect.

The only problem, then, was that pesky third leg of the tripod: Murder.

Which actually was a bit of an issue, because while DuckBob can get dangerously PG-13 at times in terms of sexual suggestion (Whoa Nelly—I know, right? It’s enough to make you blush!) he tends to be very PG in regards to violence (he is definitely a lover, not a fighter). He doesn’t mind bopping somebody on the head, or firing a ray gun in the air to get the crowd to quiet down. But he’s rarely set out to seriously hurt anyone. Murder? That’s out.

So I had to really think about that. How was I going to tell a DuckBob story that involved some sort of murder while staying true to the lighthearted, wacky fun that is his trademark?

My first thought was to go all “roleplay” on him—have him and Mary dressing up and playing “Detective” and “Femme Fatale,” complete with “murder victim.” That way I could have my cake and eat it, too—tell a moody noir murder mystery, DuckBob-style. But when I sat down to write the story it turned out DuckBob had other ideas, as he usually does. I’ve learned to trust his storytelling instincts (and his eye for good, cheap food), so I let him run with it. I’m very happy with the result. I hope you are too.

Love, Murder & Mayhem is now available for sale both in print and ebook formats.

Aaron Rosenberg is a Crazy 8 Press founding member and author of the best-selling DuckBob SF comedy series, the Dread Remora space-opera series, and, with David Niall Wilson, the O.C.L.T. occult thriller series. His tie-in work contains novels for Star TrekWarhammerWorld of WarCraftStargate: AtlantisShadowrunExalted, and Eureka. He has written short stories (such as the Sidewise-nominated “Let No Man Put Asunder”), children’s books (including the award-winning Bandslam: The Junior Novel and the #1 best-selling 42: The Jackie Robinson Story), educational books, and roleplaying games (including the Origins Award-winning Gamemastering Secrets). He is a founding member of Crazy 8 Press. You can follow him online at gryphonrose.com, on Facebook at facebook.com/gryphonrose, and on Twitter @gryphonrose.

First Post from the Asylum

Hey everyone! I’m Mary Fan, sci-fi/fantasy author and latest inmate of the asylum that is Crazy 8 Press. Y’all are probably wondering how I wound up in this madhouse. Well, let’s start from the very beginning. Hey, this is a getting-to-know-you blog, isn’t it?

I’ve been a bookworm for as long as I can remember… in fact, I read so much as a kid that it got me in trouble. Flashlights under the covers, hiding books under the mattress (not because they were “adult” or anything, but because my parents didn’t like me having so many, since I’d read instead of doing homework), spending breaks and lunchtime in the library… I was THAT kid. I inhaled a steady stream of children’s books and Western literary classics (often introduced to me by Wishbone… Who remembers that pup?), much of which included elements of fantasy (though not so much sci-fi, as I recall). Since my parents are Chinese immigrants, the entertainment in our house was slightly different than in most American homes. I had Disney movies and Star Trek: The Next Generation on TV, but other than that, I was largely out of the loop. Which is why I don’t get most ‘80s and ‘90s  cultural references today (what’s a Full House?)

No sooner do I join this bunch, than I am asked to judge my first Masquerade at Shore Leave. What a night that was!

I was maybe 11 when I first discovered sci-fi by way of two things: Star Wars Episode I: The Phantom Menace, and Jack Williamson’s Legion of Space. The year was 1999, and Blockbuster was out of The Sixth Sense, so I grabbed Phantom Menace instead because the case looked cool. Watched it, fell in love with it, decided I was a fan of space stuff. Hardcore old-school Star Wars fans are probably gaping in horror that this was my intro to the beloved universe, but hey, at least I found it at all. Then there was my discovery of the Wishbone edition of Legion of Space, which led me to promptly seek out the real version. Something about it spoke to me… I don’t recall exactly what happened in the story, but I remember being astounded by the sheer amount of possibility.

The next thing I knew, I was systematically hunting down sci-fi authors and checking out all their books from the library one by one (I literally went down the shelf and grabbed entire sections at times… hey, if there are only five Ben Bova books, I might as well take ‘em all at once!). Though I loved fantasy as well… what kid doesn’t love magic?… sci-fi was what really spoke to me. I think it’s because all the fantasy I read was very Western-centric, and at a certain point, I felt like I was reading about the same castles and dragons over and over. Sci-fi could be time travel, aliens, crazy tech on an otherwise contemporary earth… it was endless. There was also something about the aesthetic—I may have just been more of a science geek than a history nerd. I loved sci-fi and space stuff so much, I ventured alone into a sketchy Hong Kong hole-in-the-wall shop to buy pirated versions of the original Star Wars movies when I was 12. Terrifying, but totally worth it.

Last year I got to meet both Summer Blau and Sean Maher. That was certainly memorable.

As y’all probably know, no one obsesses like a tween girl in love, and that’s exactly what I was… completely, utterly, hopelessly in love with sci-fi and space stuff. So naturally, my next step was to try to write some of my own. The results were truly horrendous, but I spent the next several years—into the first two years of high school—scribbling silly, campy space adventures about an intrepid crew of explorers (and the commander’s tween daughter, who inevitably got the most important roles).

Fast forward half a decade. College put a damper on my writing dreams after rejecting me from their creative writing program three times, thereby convincing me that I was utterly worthless and should give up entirely (I channeled my creative energy into the music department instead). But a year after graduation, I found myself stuck in Beijing at my first job, which involved working weird hours to align with the New York office. In other words, a lot of free time late at night when everyone else is asleep. A good friend of mine in college—who HAD been accepted into the creative writing workshop—had been talking about how she wanted to get back into writing but wanted a partner to trade work with for motivation (she knew I’d used to want to write and tried many times to convince me that our creative writing department was just biased against me because I did spec fic instead of highbrow literary stuff). So I obliged and started an all-new silly, campy space adventure…except I’d also been reading a lot about artificial intelligence and consciousness at the time, so I decided to infuse that into the tale as well.

That book eventually became my debut, Artificial Absolutes. When I started writing it, all I’d wanted was to finish. I thought I’d just use it to pass the time and entertain my friend, then forget all this writing nonsense all over again. But you know that picture book, If You Give A Mouse A Cookie? It was like that. First, I just wanted to finish. When I finished, I wanted to make it good and started going onto online writer communities to get critiques and improve the thing. Then, I wanted to get published. After it found a home with Red Adept Publishing, I wanted to promote it. Since bookstore customers are more the crime-novels-and-women’s-fiction crowd, I chose to go straight to the geeks.

One of my many Shore Leave 39 panels with fellow inmate Glenn Hauman, left, Jennifer Rosenberg, David Mack, and Richard White.

Which brings me to Shore Leave, a fan-run Star Trek convention in Maryland that I’d discovered because one of my fellow Red Adept authors (who writes fantasy) is local to the area. That’s where I met the Crazy 8 crew a few years back.

When I first started my writing adventures, I kept indie publishing on my radar but felt like I needed the validation of an old-school publisher to be legit. Nowadays, I’ve accepted that I’m just too weird for most traditional houses. Not that I won’t still shop stuff around, but I foresee much indie publishing in my future. Still, even indies need support—no person is an island and all that. It’s just nice to know that someone has your back. So when Crazy 8 invited me to join their club, I was like “hells yeah!” I felt like I just got invited to sit at the cool kids’ table ;-)

And that, my friends, is how I wound up in the asylum.

Love, Murder & Mayhem – A Few Words About Invasive Maneuvers

By Hildy Silverman

Why did I choose a story for the upcoming Love, Murder & Mayhem anthology with characters more often associated with horror/urban fantasy for a science fiction story?

In part because I’ve wanted to revisit Frederic Dravyn, the beleaguered vampire lord of a bloodline in suburban New Jersey, ever since I wrote the first story featuring him for a previous anthology. The original story took a humorous look at a serious subject — how suburbs divided along racial, religious, economic, or similar lines can take the first steps toward integration despite those differences. If you’re familiar at all with very diverse towns like Piscataway (yes, that’s the real name of a real place), you’ll get the idea.

This time, I saw the chance to introduce aliens to a town full of vampires, werewolves, witches, and humans as a way of taking this exploration to the next level. When the species inhabiting Piscataway are faced with hostile outsiders, they’re motivated to unite their town beyond fundamental tolerance. They’ve been co-existing up until now by keeping to their own enclaves – separate, but equal – but many still maintain prejudices against one another. But that’s no longer good enough if they want their community as a whole to survive, thanks to the aliens.

Now they have to truly connect with their neighbors and band together against a common threat. The aliens themselves represent three races that only differ from one another in the most superficial, cosmetic way, yet simply cannot, will not, surmount their mutual hatred in order to survive. This shows our Piscatawayans just how bad things can get if they continue to allow simmering bigotry and self-segregation to outweigh all other considerations.

I couldn’t resist exploring a familiar trope – the worldly immortal who somehow falls for a regular and vastly younger human. I’ve always been amused by the idea that a vampire who existed for centuries could find any sort of commonality with a human. As Dravyn wonders, what would a vampire/human couple even find to talk about? How could they ever be anything close to equals in a relationship? It was fun to follow a line of internal story logic that I think (I hope) makes his attraction for human neighbor, Diana, at least somewhat believable.

This story was a lot of fun to write. I hope you enjoy reading it, too!

Love, Murder & Mayhem is now available for sale both in print and ebook formats.

Hildy Silverman is the publisher of Space and Time, a 50-year-old magazine featuring fantasy, horror, and science fiction (spaceandtimemagazine.com). She is also the author of several works of short fiction, including  “The Darren” (2009, Witch Way to the Mall?, Friesner, ed), “Sappy Meals” (2010, Fangs for the Mammaries, Friesner, ed), “The Bionic Mermaid Returns” (2014, With Great Power…, French, ed.), “The Great Chasm” (co-authored w/David Silverman, 2016, Altered States of the Union, Hauman, ed.), and “A Scandal in the Bloodline” (2017, Baker Street Irregulars, Ventrella & Maberry, eds.). In 2013, she was a finalist for the WSFA Small Press Award for her story, “The Six Million Dollar Mermaid” (Mermaids 13, French, ed). In the “real” world, she is a Marketing and PR Specialist at Sivantos, Inc.

Website: www.spaceandtimemagazine.com
FB: https://www.facebook.com/spaceandtimemagazine/
Twitter: @SpaceandTimeMag

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